The business world is full of what can be most kindly called “empty suits”—individuals who look the part but hollowly fulfill positions of power. In the art world, the empty suit isn’t necessarily a bad thing, especially when the “tailor” is Charles LeDray. In Charles LeDray: workworkworkworkwork, an exhibition at the Whitney Museum of American Art through February 13, 2011, one of the best kept secrets of contemporary art comes out into the open. An artist working alone on meticulously detailed miniatures of everyday life, LeDray speaks of larger truths through a materialism that continually reminds us of emptiness. Please come over to Picture This at Big Think to read more of "Empty Suits."
[Image: Charles LeDray. Hole, 1998. Fabric, thread, plastic, wood, metal. 19¼ x 13½ x 2½ inches (48.9 x 34.3 x 6.4 cm). The Cartin Collection.]
[Many thanks to Rizzoli for providing me with the image above and a review copy of the catalog to Charles LeDray: workworkworkworkwork, an exhibition at the Whitney Museum of American Art through February 13, 2011.]
