You can always count on the MoMA for two things: high-concept theme shows and high-concept theme shows that go in directions you didn’t expect. On Line: Drawing Through the Twentieth Century, which runs through February 7, 2011, begins as you’d expect with the big boys of modernism. Just as the testosterone threatens to thicken, however, the narrative line turns toward the feminine. The phallic gives way to the “matrixal”—a connective and even curative matrilineal web of associations woven by modern women artists that redefines drawing practice to include all forms of human gesture, even the dance. This dance turns political as artists tango through the minefield of modern life to bring the world a little closer. At times this “matrixal” theme seems almost as esoteric and abstract as The Matrix movies, but ultimately the show brings you back to firm ground and the stars align once more. Please come over to Picture This at Big Think to read more of "The Matrix."
[Image: Anna Maria Maiolino (Brazilian, born Italy 1942). Desde A até M (From A to M) From the series "Mapas Mentais" (Mental Maps). 1972-1999. Thread, synthetic polymer paint, ink, transfer type, and pencil on paper. 19 5/8 x 19 1/2" (49.8 x 49.5 cm). The Museum of Modern Art, New York. Purchase. © 2010 Anna Maria Maiolino.]
[Many thanks to the MoMA for providing me with the image above, press materials to, and a copy of the catalogue to On Line: Drawing Through the Twentieth Century, which runs through February 7, 2011.]
