Showing posts with label Ray (Man). Show all posts
Showing posts with label Ray (Man). Show all posts

Wednesday, June 1, 2011

Is the Hottest New Art Coming from Chilly Nordic Countries?


“Scandinavian Pain” burns crimson in the night in one photo by Ragnar Kjartansson featured in the new exhibition North by New York: New Nordic Art in celebration of the centenary of the creation of The American-Scandinavian Foundation. That phrase could serve as the motto for much of the work that appears in this choice selection of contemporary Nordic art curated by Robert Storr and Francesca Pietropaolo. This cross-section of modern angst from the territory of Munch, Ibsen, and Sibelius updates that Nordic sensibility for a new age and shows how these artists use new media to convey that old message. As Mieskuoro Huutajat, also known as the Screaming Men’s Choir (image above), prove, this new wave of hot art from a cold climate is something to shout about. Please come over to Picture This at Big Think to read more of "Is the Hottest New Art Coming from Chilly Nordic Countries?"

[Image: Petri Sirviö featuring Mieskuoro Huutajat (Screaming Men’s Choir), Sorry Speech, 2010. Video stills—4 images total; 3-channel video installation, 3 min. synchronized loops, sound. Courtesy of the artist.]

[Many thanks to The American-Scandinavian Foundation for providing the image above from and a review copy of the catalog to North by New York: New Nordic Art, which runs through August 19, 2011.]

Sunday, November 7, 2010

Who’s Your Dada?: Surrealists Games in “The Exquisite Book”


For most art history students, the days of Dadaism and Surrealism seem like ancient history—two “-isms” buried beneath the quick succession of newer and newer “-isms” reigning ever since. Illustrator Julia Rothman, graphic designer Jenny Volvovski, and animator Matt Lamothe bring the cold corpse of Dada back to life in The Exquisite Book, a large-scale playing of the Surrealist game Exquisite Corpse” by 100 contemporary artists. The Exquisite Book turns back the clock to the early days of modern art and reminds us of the origins of the twentieth century mind. By the time you finish playing along with the game, you’ll know exactly “who’s your Dada.” Please come over to Picture This at Big Think to read more of "Who’s Your Dada?"

[Many thanks to Chronicle Books for providing me with a review copy of The Exquisite Book by Julia Rothman, Jenny Volvovski, and Matt Lamothe.]

Wednesday, August 4, 2010

The Eyes Have It: Frida Kahlo Retrospective in Germany



One of the most overlooked aspects of the life of Frida Kahlo is that the artist who exemplified Mexican national identity had a father born in Germany. Thanks to exhibitions in Germany and Austria, Frida returns to her German roots for the first time. The catalogue for those exhibitions, Frida Kahlo: Retrospective, from Prestel, gathers together some of the finest paintings by Frida along with eye-opening essays that touch upon aspects of her art—her writings, the codified love story, her politics—that sometimes get lost in the cult of personality fueling Fridamania. But we always return in the end to the paintings themselves, especially the self-portraits, which return our gaze with eyes that compel us to look deeper. The eyes still have it, more than a half century after Kahlo’s death, and her story and her art still capture our imaginations. Please come over to Picture This at Big Think to read more of "The Eyes Have It."



[Many thanks to Prestel for providing me with a review copy of Frida Kahlo: Retrospective, the catalogue to exhibitions at the Martin-Gropius-Bau, Berlin, Germany, until August 9, 2010, and at the Bank Austria Kunstforum, Vienna, Austria, from September 2, through December 5, 2010.]