Showing posts with label Matisse (Henri). Show all posts
Showing posts with label Matisse (Henri). Show all posts

Wednesday, June 1, 2011

Is the Hottest New Art Coming from Chilly Nordic Countries?


“Scandinavian Pain” burns crimson in the night in one photo by Ragnar Kjartansson featured in the new exhibition North by New York: New Nordic Art in celebration of the centenary of the creation of The American-Scandinavian Foundation. That phrase could serve as the motto for much of the work that appears in this choice selection of contemporary Nordic art curated by Robert Storr and Francesca Pietropaolo. This cross-section of modern angst from the territory of Munch, Ibsen, and Sibelius updates that Nordic sensibility for a new age and shows how these artists use new media to convey that old message. As Mieskuoro Huutajat, also known as the Screaming Men’s Choir (image above), prove, this new wave of hot art from a cold climate is something to shout about. Please come over to Picture This at Big Think to read more of "Is the Hottest New Art Coming from Chilly Nordic Countries?"

[Image: Petri Sirviö featuring Mieskuoro Huutajat (Screaming Men’s Choir), Sorry Speech, 2010. Video stills—4 images total; 3-channel video installation, 3 min. synchronized loops, sound. Courtesy of the artist.]

[Many thanks to The American-Scandinavian Foundation for providing the image above from and a review copy of the catalog to North by New York: New Nordic Art, which runs through August 19, 2011.]

Friday, December 31, 2010

Essentials: Stieglitz, Steichen, and Strand at The Met


When you talk about Classical music, you often begin with the three Killer B’s: Bach, Beethoven, and Brahms. If you talk about American photography, you need to begin with the Essential S’s: Stieglitz, Steichen, and Strand. Malcolm Daniel’s Stieglitz, Steichen, Strand: Masterworks from The Metropolitan Museum of Art, the catalog to the exhibition at The Metropolitan Museum of Art through April 10, 2011, provides the perfect primer to these essential artists who saw photography through its infancy as a fine art and helped find it a place in the pantheon, as symbolized by their acceptance into The Met’s collection. Please come over to Picture This at Big Think to read more of "Essentials."

[Many thanks to Yale University Press for providing me with a review copy of Malcolm Daniel’s Stieglitz, Steichen, Strand: Masterworks from The Metropolitan Museum of Art, the catalog to the exhibition at The Metropolitan Museum of Art through April 10, 2011.]

Sunday, October 24, 2010

A Prayer for the City: The Truth About the Barnes Foundation


Buzz Bissinger titled his profile of then-Mayor of Philadelphia Ed Rendell’s efforts to save his city from the brink of fiscal disaster, A Prayer for the City. Philadelphia, my native city, always seems to be fighting out of some corner, especially perceptual ones. The soon to be realized move of Dr. Albert C. BarnesBarnes Foundation to Philadelphia from a nearby suburb has unsurprisingly brought out many of the old prejudices against the city. Sadly, even respected art critics such as Christopher Knight of The Los Angeles Times fall into the trap of bashing the city in the name of “preserving” the revered intentions of the good doctor’s vision. Here’s my prayer for greater understanding of the truth behind the Barnes Foundation move and a plea for new respect for my city. Please come over to Picture This at Big Think to read more of "A Prayer for the City."