Whenever I hear the name of Turner Prize-winning artist, Chris Ofili, I unfortunately think of the old Monty Python joke: “What’s brown and sounds like a bell? Dung!” For Americans who still remember Rudy Giuliani’s dung-inspired demagoguery in the mid-1990s, Ofili remains defined by that single word and single, controversial moment. A new exhibition at the Tate Britain and a revelatory new book, however, look to redefine this anger- and thought-provoking artist. Please come over to Picture This at Big Think to read more of "The Crying Game."
[Image: Chris Ofili, No Woman, No Cry (1998). Acrylic, oil, polyester resin, pencil, paper collage, glitter, map pins and elephant dung on linen. 243.8 x 182.8 cm. Photo: Tate. © Chris Ofili.]
[Many thanks to the Tate Britain for providing me with the image above from the exhibition Chris Ofili, which runs from January 27 through May 16, 2010, and to Rizzoli for providing me with a review copy of the first monograph on the artist, Chris Ofili.]
