Scare Tactics: Banned Horror Comics of the 1950s

As American tumbled to the lowest point of the Great Depression, Franklin Delano Roosevelt rallied the country with the words, “We have nothing to fear but fear itself.” A little over two decades later, the United States government got into the fear business in a big way by shutting down one form of horror and replacing it with a form of their own. The Horror! The Horror!: Comic Books the Government Didn't Want You to Read! brings the horror comics of the 1950s back to life. Selected, edited, and with commentary by Jim Trombetta, these pre-Comics Code comics tell an even scarier tale than that of vampires, werewolves, and zombies—a tale of censorship and control that should scare anyone who cares about art and cares about how governments shape it using tactics that are downright scary. Please come over to Picture This at Big Think to read more of "Scare Tactics."

[Many thanks to Abrams ComicArts for providing me with a review copy of The Horror! The Horror!: Comic Books the Government Didn't Want You to Read! Selected, edited, and with commentary by Jim Trombetta.]

Missing Person

When J.D. Salinger passed away recently, many casual fans who only remember him from tattered copies of The Catcher in the Rye lost long ago seemed shocked that he was still alive. Reclusiveness will do that. Influential comic artist Steve Ditko, the creator of the original look for seminal characters such as Spider-Man and Doctor Strange, submerged into seclusion years ago and has rarely surfaced since, content to work on the fringes of the comic world rather than compromise his art or his beliefs. In The Art of Ditko, edited by Craig Yoe, Ditko’s forgotten art of the past resurfaces for a new generation of readers who may not even know that his genius lives on, or ever lived at all. Please come over to Picture This at Big Think to read more of "Missing Person."

[Many thanks to IDW Publishing for providing me with a review copy and cover image from The Art of Ditko.]

Summer Blockbusters

For the May Art Poll By Bob, I went floral in honor of those great post-April showers May flowers and asked, “Which of these beautiful bouquets would you pick for your garden of earthly delights?” In an Art Poll by Bob first, Gustav Klimt’s Country Garden with Sunflowers (1905-1906) beat out Vincent van Gogh’s Irises, Sait-Rémy (1889) 24 to 21, marking the first time that Vincent's not come out on top. Monet’s Monet's Garden, the Irises (1900) came in third with 16 votes and Frida Kahlo’s Flower of Life (1944) came in fourth with 9. Emil Nolde’s Flower Garden (1908) finished fifth with 7 votes, while Paul Gauguin’s Sunflowers (1901), Paul Klee’s Heroic Roses (1938), and Pierre-Auguste Renoir’s Roses (1890) all tied for sixth with 5 votes each. Eugène Delacroix’s Bouquet of Flowers (1849-1850) brought up the rear with 3 votes. Thanks to all 95 people who stopped to smell the flowers and voted.

With June’s arrival, I can’t help but think of Summer, and Summer Blockbusters. In recent years, there’s been no source of blockbuster material as reliable as comic book superheroes such as Batman, fighting a villain named, of course, Blockbuster (created by Carmine Infantino, but the Detective Comics #349 of March 1966 cover art above is by Joe Kubert). I admit that I still haven’t “outgrown” my fascination with superheroes. Part of me is still that little boy coloring in his Batman coloring book, which included Blockbuster smashing through walls, etc., and wishing I could draw like those incredible artists. So, for the June 2009 Art Poll By Bob, I ask, “Which of these great comic artist’s work would you want to see on the big screen?”:

Neal Adams. Batman versus Ra’s al Ghul (1971).

Dave Cockrum. X-Men (1975).

Jack Cole. Plastic Man (1941).

Steve Ditko. Doctor Strange (1960s).

Frank Frazetta. Conan the Barbarian (1970s).

Jack Kirby. Captain America (1976).

Joe Kubert. Hawkman.

Todd McFarlane. Spider-Man (1990).

John Romita, Sr. Spider-Man (1967).

Joe Shuster. Superman (1938).

I know that not everyone in my audience is a comic book fan such as myself, but I hope that everyone can take a second look at recognize just what kind of draftsmanship and creativity went into these images. Jack Cole’s Plasticman is a study in abstract art all by himself! I could go on and on about each of these artists and what memories they stir up inside me, but I’ll let the works speak for themselves. So, don your capes, put on your masks, get some popcorn, and vote for these blockbusters of the imagination!